Wednesday, September 11, 2013
Monday, September 9, 2013
Art 1 - Super Closure (Elements of Art Collage)
Art
1: SUPER
CLOSURE!
(9.6/9.9)
(“Super Closures” will be collected and graded as a quiz grade!)
Write a paragraph (6-8 sentences) on a separate piece of paper explaining how you showcased your Element of Art and used at least 3 Compositional Strategies in your collage. Include and underline the following vocabulary terms:
- Elements of Art
- Your specific Element (line, shape, form, value, texture, color or space)
- Composition (including specific strategies)
(9.6/9.9)
(“Super Closures” will be collected and graded as a quiz grade!)
Write a paragraph (6-8 sentences) on a separate piece of paper explaining how you showcased your Element of Art and used at least 3 Compositional Strategies in your collage. Include and underline the following vocabulary terms:
- Elements of Art
- Your specific Element (line, shape, form, value, texture, color or space)
- Composition (including specific strategies)
AP Studio: Breadth #8
Drawing Breadth #8. Due Tues. 9/16
Option 1:
1
GIANT
hand- at least 5 to 6 times larger than life
1. The
position of the hand must be “difficult”- fingers bent, slanted, foreshortened,
etc. No fists, open palms, etc.
2. The hand may be holding
something- but make it a significant object and it can't be so large that it
hides too much of the hand.
3. Don’t forget about the
negative space- the space around and behind the hand. Put something
in the background- a tone, a pattern, something!
4. As always, contrast
and the rule of third are important.
Option 2:
2 Big hands- at least 2
times larger life
1.
Hands must be touching or interacting in some way. They may overlap,
interlock, clasp, snuggle, etc. If the hands don't at least overlap, it will
affect your grade.
2. Use the positioning of the 2
hands to tell a story, show meaning or convey emotion.
3. Consider contrasting expressions
or character in the hands- tense vs. relaxed, active vs. passive, bony and
angular vs. fleshy and round, rough vs. smooth, old vs. young, etc.
4. Don’t forget about the negative
space- the space around and behind the hands. Put something in the
background- a tone, a pattern, something!
5. As always, contrast/rule
of thirds is important.
Option 3:
Option
#3: Hands in action- size determined by # of hands
Instructions:
For this option you may include
more of the arms and body to make the action clear. Objects may also be
included.
Consider contrast and
composition/background etc.
2D – PHOTO Breadth #8: Light
You will chronicle light throughout your
day by shooting 24 exposures:
✴ 8 exposures will explore MORNING and
light before noon
-Consider how morning light affects your
mood
-What does this time of day remind you
of?
-What changes occur in light and shadow
outside as the sun is rising?
✴ 8 exposures will explore the AFTERNOON
and end of the day,
-What is your life like in the afternoon
during springtime
-How does the afternoon sun affect the
shadows?
-Look for areas of strong shadows or
sharp contrast
-As the sun sets, what happens to the
sky, to the light and shadow?
-Consider having the light behind you and
then try behind your subject
-Remember, the weather for that day will
also affect the light!
✴ 8 exposures will explore NIGHT
-Consider what artificial light is
available: lamps, streetlights, headlights, etc.
-How does low light affect the mood?
Create drama, suspense, or mystery!
-Try abstracting the photo by moving the
light
-Remember to STEADY YOUR CAMERA with a
tripod, on a table, or on the ground!
For all times of day you should use the
following:
Principles of Composition: make
thoughtful compositions as well as capturing light, NO SNAPSHOTS!
Bracketing: For
important photos or tricky light shoot the same composition but adjust aperture
or shutter
one stop in either direction.
2D: Other: Text Design
-
Create a work of art that utilizes text in a
visual way. You will be taking one line/section from the
books in class to illustrate.
- Use the
actual text to create your image in some way. “Draw” with the words, along
the form of your subject.
- Your image
should relate to the concept of your line/section. You are illustrating an idea.
- Consider composition.
Be interesting. Your arrangement should support your concept.
12” x 18”
Wednesday, September 4, 2013
Art 1: Construction Paper Collage notes/assignment
Here's the notes/assignment that we did on 8/27 & 8/28 for those who missed class:
Notes: Compositional Strategies (ways to make a good composition):
Notes: Compositional Strategies (ways to make a good composition):
1.Limit
the types of shapes and lines.
2.Use a
direction: vertical, horizontal, diagonal, curved.
3.Repeat,
but vary, the shapes and lines.
4.Use a
color scheme
5. Repeat a texture or pattern.
6. Show a progression in size, shape or
space.
7. Balance the weights of the shapes and
lines.
8. Overlap shapes and lines.
Collage Assignment (using Construction Paper):
•Use
ALL of the compositional strategies to create 1
collage.
•Use
at least 30 cut pieces of construction paper.
•Use
only geometric shapes (squares, triangles, rectangles, circles, etc. No hearts,
stars etc. )
•Draw
your design/Arrange your pieces before you glue them down.
•Be
neat. Cut straight and only use a little bit of glue.
AP Studio: Figure Drawing Videos and Fears/Phobias assignments
Here's the link to the foreshortening videos/figure videos from class:
http://thevirtualinstructor.com/gesturedrawing.html
http://thevirtualinstructor.com/foreshortening.html
Here's the assignments:
Drawing Breadth #7 – Due: Mon. 9/9
-Research and choose a fear/phobia.
http://thevirtualinstructor.com/gesturedrawing.html
http://thevirtualinstructor.com/foreshortening.html
Here's the assignments:
Drawing Breadth #7 – Due: Mon. 9/9
-Research and choose a fear/phobia.
-Create
a figure drawing (of yourself or someone else) that uses extreme
foreshortening. Use the phobia to dictate the person’s position/mood/gesture.
-Use
the rule of thirds/complete the background.
-At
least 12” x 18” – any media.
2D Breadth #7 – Due Mon. 9/9
-Choose
from
one of the following: Pink flamingos (plastic), Trolls,
Barbies or GI Joes (or other creepy toy object, pick
something that we recognize). Depict them several times from different
angles in a piece of art showing dramatic foreshortening. Place them in an
unusual or unexpected setting. Incorporate a fear/phobia. Look at
some of Chris Van Allsburg’s work for inspiration
-At
least 12” x 18” – any media.
-PHOTO:
Same concept, roll of 24 images.
Tuesday, September 3, 2013
Art 1 - Elements of Art Collage
Here's the criteria for your "Elements of Art Collage"
Elements of Art Collage Criteria (Art 1)
Elements of Art Collage Criteria (Art 1)
•Complete
the “Cut it Out” handout.
•Choose
only 1 Element (line, shape, form, value, color, texture OR space) to be the
focus of your collage.
•Sketch
your design on the grey paper in pencil first.
•Use
at least 3
of
the compositional strategies.
•Cover
the whole page (No empty (grey paper) space) with magazine pieces.
•Use
good craftsmanship.
Art 1 & 2 : 1st and 2nd week vocabulary.
Here's the vocabulary that we have had in the first and part of the second week of school for Art 1 and Art 2 if you missed it/entered the class late.
Observational Drawing: •Drawing created when looking at objects, people or places. This type of drawing is meant to achieve a representational accuracy to the subject.
Observational Drawing: •Drawing created when looking at objects, people or places. This type of drawing is meant to achieve a representational accuracy to the subject.
Figure/ground
relationship: a
visual relationship between foreground (objects etc.) and background (negative
space, air, table, environment).
COMPOSITION:
the way the principles of design are used to organize the elements of art; how
a page is set up or arranged.
Shading – a
drawing technique that uses light and dark values (shades) to
give the illusion of form
(3-D).
Tortillion
(blender) - a
tool used by artists to smudge and blend drawing materials.
Art 1 also had:
Collage: an artwork created by pasting cut or torn materials, such as paper, photographs, and fabric to a flat surface.
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